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One of the most unusual and innovative festive hits was 1981’s “Christmas Wrapping,” a charming, insouciant love song about a single woman who is determined not to be part of the exhausting seasonal rigmarole – until fate intervenes on Christmas Eve when she goes out to the all-night grocery to buy cranberries. The show quickly became a festive classic and Durante’s new version of the song, scored by Maury Laws, became popular again, proving its staying power as a holiday classic. was directing the famous television special based on the “Frosty the Snowman” lyrics, he said he wanted Durante to voice the narrator and sing the title song “in that strange Jimmy Durante voice.” The 25-minute animated film, featuring Jackie Vernon as the Snowman, was broadcast on CBS on December 7, 1969. Nearly two decades later, when Arthur Rankin Jr. His raspy-voiced version proved a hit for MGM after it was released in December 1950 for the Christmas rush. On June 20, 1950, 57-year-old Jimmy Durante went into MGM’s recording studios in Hollywood to record his first version of “Frosty the Snowman.” That orchestrated version was arranged and conducted by Roy Bargy, a pianist who had worked with jazz legend Bix Beiderbecke. It says everything for the warmth in Crosby’s voice that he made a song about “the weary world” and “life’s crushing load” sound so joyful. The highlight of the album is a medley of “Hark! The Herald Angels Sing,” based on a 1739 biblical carol using a melody from Felix Mendelssohn, and “It Came Upon the Midnight Clear.” The words for that latter tune were composed in 1850 by a dour cleric called Edmund Sears, who was writing about his melancholy times as a minister in Massachusetts. – Martin Chiltonĥ5: Bing Crosby: Hark! The Herald Angels Sing / It Came Upon A Midnight Clearīing Crosby’s rich warm bass voice is perfectly suited to carols, and he recorded a whole set for his 1962 album I Wish You A Merry Christmas, using gorgeous orchestral arrangements by Bob Thompson, Peter Matz, and Jack Holloran and then over-dubbing his vocals on the music. Nelson released his own version a year later, when it was originally called “Little Darling (Pretty Paper),” and has returned again and again to the song over the years, including in a memorable duet with Dolly Parton.
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– Martin Chiltonīack in 1963, when Willie Nelson was writing songs for commissions, he agreed to let Roy Orbison record “Pretty Paper” and the star of “Only the Lonely” promptly had a hit with this sweetly sentimental song about a street seller who markets his stationary and pencils with cries of “pretty paper, pretty ribbons of blue.” Nelson based the song on a man in Fort Texas, whose legs had been amputated and who had to use rollers to move up and down the sidewalk to sell his wares. In 2004, “Merry Christmas (I Don’t Want to Fight Tonight)” was used in the film Christmas with the Kranks, starring Tim Allen, Jamie Lee Curtis, and Dan Aykroyd.
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Although this song about avoiding conflict at Christmas did not prove popular at the time, it is now hailed as an alternative Christmas classic, full of beguiling imagery (“All the children are tucked in their beds/Sugar-plum fairies dancing in their heads) and complete with a mention of Rudolph. It featured Johnny Ramone’s thrashing guitar behind Joey’s Ramone’s punchy vocal delivery of his own lyrics. “Merry Christmas (I Don’t Want to Fight Tonight)” first appeared as the B-side to the 1987 single “I Wanna Live” and the Ramones recorded the better-known version for their 1989 album Brain Drain. It’s always nice, it’s amazing seeing how well it’s held up.” – Martin Chiltonĥ7: Ramones: Merry Christmas (I Don’t Want to Fight Tonight) When Ives was asked about the show in 1978, he replied: “I always watch Rudolph every year. It is now the longest-running holiday special, having aired every Christmas for more than half a century. The popularity of “Rudolph the Red-Nosed Reindeer” has continued unwaveringly, and so has the classic 1964 television show.
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The resulting album, which was released with the unusually long title The Original Sound Track And Music From Rudolph The Red Nosed Reindeer: A Videocraft TV Musical Spectacular featuring the voice of Burl Ives, was recorded at Brooklyn Studios and pressed by Decca Records. Ives had released a Christmas album in 1957, and he returned to festive music with his voiceover role as Sam the Snowman in the NBC television special Rudolph the Red-Nosed Reindeer, which aired in December 1964. 58: Burl Ives – Rudolph The Red-Nosed Reindeerīy the time Burl Ives came round to recording “Rudolph the Red-Nosed Reindeer” in 1964, the song had already been a hit song for scores of musicians, including Bing Crosby, Perry Como, Dean Martin, and Ella Fitzgerald.